Untitled - Rinko Kawauchi, 2005

Untitled - Rinko Kawauchi, 2005

(Source: halogenic)

bewareofmpreg:

shiki-jitsu (2000), dir. hideaki anno

bewareofmpreg:

shiki-jitsu (2000), dir. hideaki anno

bewareofmpreg:

shiki-jitsu (2000), dir. hideaki anno

bewareofmpreg:

shiki-jitsu (2000), dir. hideaki anno

mashallah-project:

a few hairs by d. marvi
my relationship with my unibrow is tempestuous. some days i hide it away, plucking out each hair with hatred. others, i smooth it down lovingly with rosewater and feed it coconut oil at night to hasten it’s growth. these hairs are one of the many ways i’m navigating my own body while i navigate the liminal space of diaspora. my unibrow evokes both the racial privileged of the homeland and and the racial alienation of the hostland. painting my unibrow gold can be seen as an act of beautification and self-acceptance. conversely, it can be seen as self-orientalization, or, making a prominent physical sign of my racial “otherness” even more so. or, simply, it could be an innocent whimsy. i choose to keep the meaning of this as ambiguous as possible, to mimic my own fluid, love-hate relationship with my unibrow.

mashallah-project:

a few hairs by d. marvi

my relationship with my unibrow is tempestuous. some days i hide it away, plucking out each hair with hatred. others, i smooth it down lovingly with rosewater and feed it coconut oil at night to hasten it’s growth. these hairs are one of the many ways i’m navigating my own body while i navigate the liminal space of diaspora. my unibrow evokes both the racial privileged of the homeland and and the racial alienation of the hostland. painting my unibrow gold can be seen as an act of beautification and self-acceptance. conversely, it can be seen as self-orientalization, or, making a prominent physical sign of my racial “otherness” even more so. or, simply, it could be an innocent whimsy. i choose to keep the meaning of this as ambiguous as possible, to mimic my own fluid, love-hate relationship with my unibrow.

(via shoulderblades)

inprnt:

"Sharing Alike" by Andrew Archer on INPRNT

inprnt:

"Sharing Alike" by Andrew Archer on INPRNT

(via mercurialblonde)

xombiedirge:

Tokyo Ghost #1 by Sean Gordon Murphy / Website & Matt Hollingsworth

New series by Rick Remender, Sean Murphy and Matt Hollingsworth coming to Image Comics, July 2015.

(via mercurialblonde)

5ft1:

QUEEN!!!! QUEEEEEEEEENNNNN!!!!

5ft1:

QUEEN!!!! QUEEEEEEEEENNNNN!!!!

(Source: itstartedwithawhisperr, via yohjihatesfashion)

15-Year-Old African Kid Tells Madonna To Go ‘Have Sex’ with Herself

almightykushlord:

Dakarai Molokomme, a 15-year-old starving child from a small village in Zimbabwe, has just told , one of the most famous pop stars in the world, to  and f*** , the local media are reporting exclusively.

“Yes, it’s true, I told Madonna to go f*** herself. Do you want to know why?” Dakarai asked. “It’s the same thing every time with these snobby rich Americans. Every once in a while they come to show us their support for the so-called eradication of poverty by adopting a child from a starving family, but they actually do more harm than good. Transracial international adoptions are part of the white savior industrial complex,” Dakarai explained.

In further discussions with journalists from the media, the  stated that “none of the children here actually want to be taken away from their family and friends so they can be displayed as some kind of trophy in the homes of self-righteous singers or actors who want to score some points with the media and Oprah.”

“If they really want to help us, they should get Big Pharma to ship us some anti-retroviral drugs for the AIDS epidemic, or build schools and hospitals. If they don’t want to do that, then they can all go f** themselves!” the child told reporters.

The 15-year-old also stated that he would say the same thing to any one of those American or European “faux humanitarian posers”, except for Bono, whom he said he would also kick in the groin.

“Bono’s efforts to save the African savage from itself prove that the colonial imperative is alive and well,” Dakarai said as he walked with other village children collecting sticks to build a tree fort.

THIS IS THE RAWEST 15 YEAR OLD ALIVE

(via kawahineaihonua)

(Source: bootygrl, via ulna)

dustulator:

Matthew Barney’s “cremaster cycle” being presented at the guggenheim musuem

dustulator:

Matthew Barney’s “cremaster cycle” being presented at the guggenheim musuem

(via -inertia)